How SSLM came about — and a bit about me
Many years ago, I had a hobby making short films. These “shorts” were typically three to four minutes long, and I was lucky enough to have them shown on TV and before feature films at the Oasis cinemas, a chain with locations across the UK — a fact I'm still proud of. I remember sitting in my local Oasis in Notting Hill, watching the first screening of my first short on the big screen, and the real thrill of listening to the audience react.
As much as I enjoyed the creativity of writing and directing, I was fascinated by the production side: finding the financing, then pulling together the actors and equipment, getting everyone on location at the right time, and working through the processing, editing, marketing and distribution.
That's where my interest in professional project management began. I appreciated — without formally understanding it — that getting things done takes organisation and process: a sequence of steps and complementary tools that make a project run more efficiently with each iteration.
So I started doing project management courses. Each had its own philosophy and approach, and they all assumed a level of experience I didn't have. None of them really gave me an insight into how a newbie — an ignoramus like me, at the time — actually started and ran a project. (Possibly I was just too thick to extrapolate the practical from the theory in my head.) Thankfully, I soon got myself onto a “real” project, and that's when the true learning began.
I was hired on a short-term contract as a project coordinator, supporting a Project Manager and a Business Analyst on a regulatory project in Financial Services. The role was meant to run for a year, until the bank decided the project wasn't actually required. The project was closed after six months, but I had learnt a lot — and took that early knowledge straight onto another project, this time as project manager, on another regulatory project. It was far more complex: a scope across five international regions, a diverse cast of stakeholders, cultures and languages, and over 15,000 processes to be written, standardised, version-controlled and set up for annual review, with final approval of the whole thing by the regulator. We did it — and got a lovely gold star from the regulator.
This is a good moment to talk about two ideas: Dunning-Kruger, and “fake it till you make it”.
